As streaming fatigue sets in, consumers increasingly opt for FAST (Free Ad-Supported Television), with traditional cable providers feeling the pinch. Once considered fringe players, FAST platforms capture significant market share with their ad-supported, cost-free models, while SVOD giants drive premium content strategies and global expansion.
For the first time in its 45-year history, the American Film Market (AFM) has traded the coastal ambiance of Santa Monica for the glitzy setting of Las Vegas, launching its 2024 event at the Palms Casino Resort. This relocation comes with high hopes for streamlined networking, concentrated events, and fresh energy.
The 2024 American Film Market (AFM) marks a transformative moment as it relocates from its long-standing Los Angeles base to Las Vegas. Here’s an overview of films being presented by the leading 78 international sales agencies at the 2024 American Film Market, offering a dynamic blend of genres, including horror, thriller, drama, comedy, and animation.
The 2024 American Film Market (AFM) marks a transformative moment as it relocates from its long-standing Los Angeles base to Las Vegas. Here’s an overview of films being presented by the leading 78 international sales agencies at the 2024 American Film Market, offering a dynamic blend of genres, including horror, thriller, drama, comedy, and animation.
The 2024 American Film Market (AFM) marks a transformative moment as it relocates from its long-standing Los Angeles base to Las Vegas. Here’s an overview of films being presented by the leading 78 international sales agencies at the 2024 American Film Market, offering a dynamic blend of genres, including horror, thriller, drama, comedy, and animation.
In a bold move to reclaim control over streaming revenue, Disney has severed its dependency on Apple’s App Store for new subscriptions to Disney+ and Hulu. This decision, echoing similar actions from Netflix, signifies a financial strategy and a broader power dynamics shift between content providers and tech platforms.
As the intense battle for subscriber acquisition in the streaming wars begins to calm, Netflix, the leader in subscription-based video on demand (SVOD), now faces a formidable new rival—YouTube. Meanwhile, ad-supported free streaming platforms like Tubi are gaining ground, reshaping the digital entertainment playing field.
As the entertainment industry continues shifting toward streaming and digital content, two of its most prominent players, Disney and Warner Bros. Discovery (WBD), are heading down distinctly different paths. Recent earnings reports underscore the contrasting financial positions and strategic moves of these media giants, setting the stage for what could be a breaking point for their digital transition.
The streaming revolution was once celebrated as the future of entertainment, promising viewers the flexibility, variety, and convenience that cable never offered. However, as streaming services evolve, it’s becoming evident that they’re repeating old patterns. With bundling deals, escalating subscription prices, and a growing reliance on ad-supported content, streaming mirrors the cable model it once created to disrupt.
Despite the return of Hollywood stars to the Toronto International Film Festival (TIFF) after last year’s strikes, this year’s event saw a lackluster market for acquisitions. With only a handful of deals emerging, questions are being raised about the current state of theatrical releases and the dominance of streaming platforms.
As TIFF kicks into high gear, several films are already making waves, generating significant attention among buyers and industry insiders. These films represent some of the most promising acquisitions at TIFF 2024, with solid casts, intriguing narratives, and talented directors aiming to capture the attention of buyers and audiences alike.
The 2023 Hollywood strikes, coupled with the lingering effects of lockdowns, have cast serious doubt on the future of theatrical releases. In 2022, TIFF saw its biggest deal to date, with “The Holdovers” fetching $30 million from Focus Features, but there was a catch—it wasn’t an official festival entry. Instead, it was a private screening.
The Toronto International Film Festival (TIFF) has long been a vibrant showcase, especially for films seeking a U.S. distributor, but it faces a much harsher reality this year. The rise of streaming platforms has further complicated TIFF’s sales environment. This challenge is emblematic of a deeper problem in the industry.
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