Netflix emerged as the winner in a nearly two-year auction process for the exclusive U.S. rights to stream Sony’s theatrical releases in the lucrative first PayTV window starting with the studio’s 2022 slate.
Starting in 2022, all films from the various Sony banners, including Columbia Pictures, Sony Pictures Classics, Screen Gems, and TriStar Pictures, will stream exclusively on Netflix after theatrical and home entertainment windows.
Netflix Lands First Window PayTV Licensing Rights to Films Released by Sony
The first PayTV window usually begins about nine months after a film’s theatrical release. However, the timetable under the deal was likely accelerated given the recent disruptions in the theatrical market. During lockdowns and forced closure of theaters, the industry has drastically reduced the theatrical window from 90-days to a mere 45-days.
The output deal will run for at least five years and covers films streaming to Netflix’s 74 million subscribers in the United States. Netflix already has a first window PayTV deal with Sony Pictures for all of its animated releases.
The agreement also provides Netflix a first-look at Sony’s original films produced for the direct-to-streaming market. But, Netflix has the right to refuse any title freeing Sony to pursue other streaming partners.
Like most licensing agreements, the deal is structured in a traditional form, whereby Netflix pays for each film determined by rate cards on a sliding scale by each title’s domestic or worldwide box office receipts. Netflix will also license an unspecified number of older titles from Sony’s film library as part of the pact.
Worldwide Film & Television Distribution Intelligence
Get unparalleled access to market intelligence reports that draw on financial data and insights from dozens of content distribution deals worldwide between key industry participants, including — Distributors, Producers, Broadcasters, MPVDs, Pay Television Providers, and Streaming Exhibitors.
Film and Series distribution rates and terms deriving from dozens of agreements for rights to transmit films and episodic television via PayTV and SVOD.
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Licensing Terms & Included Programs:
Pay-1 & SVOD Rate Cards for Motion Pictures and Series Exhibited Worldwide in Multiple Availability Windows
- Motion Pictures: Pay-1, First Run, Second Window Features, Recent Library Features (Tiers AAA,A,B,C), Library Features (Tiers AAA,A,B,C), Current and Premium Made-For-TV Films and Direct-To-Video Films, covering many license periods over the last decade
- Episodic TV: Current, Premium, Premium Catalog (1HR & 1/2HR), Catalog Series (1HR & 1/2HR), and Catalog Miniseries + Case Studies on Current Mega Hit, Catalog Mega Hit, and Premium Catalog, covering many licensing terms from 2012-2024
- Because most-favored-nation rates operate in practice, the rates and terms apply to a diverse range of content and distributors worldwide in multiple availability windows.
Sony Studios Declines Direct-to-Consumer Model in Favor of Licensing
These first window deals have been highly lucrative for Sony, but they’re becoming rarer as media conglomerates keep more content in-house to supply their burgeoning streaming platforms.
WarnerMedia and Disney are almost exclusively licensing their film libraries exclusively to their owned services such HBO Max and Disney+, and Hulu.
Sony is the last major studio without a direct-to-consumer streaming service. It has declared that it will focus on supplying content to others rather than wading into the streaming platform wars.
The Japanese parent company has no interest in losing more money on the filmed entertainment division than it already does. The studio is a loss leader and defacto marketing operation for the parent company. The film and television divisions only account for 8% of Sony’s overall revenue.
Starz Runs Out of Steam and Netflix is Running Out of Studio Partners
Previously, Starz, owned by Lionsgate, was Sony’s primary first window PayTV partner, but several miscalculations by Starz executives and its parent have resulted in a significant loss of market position. Soon after the news about the agreement between Netflix and Sony, Lionsgate announced plans to sell or spin-off Starz.
The number of studio films that Netflix has access to has dwindled since 2017 when Disney and other announced plans to launch their respective streaming services. Netflix will have to rely more and more on original productions, which are hit-and-miss at best, and inferior at worst.
FilmTake Away
Without imaginative films with broad appeal, the theatrical market will continue to deteriorate as audiences stay home enjoying a plethora of streaming services or other media instead of paying significant funds for a remake, sequel, or re-imagining.
Slow-Motion Collapse: How Nostalgia, Streaming, and Short-Sightedness Undermined Hollywood’s Future
Hollywood’s golden age of innovation and artistry is fading, replaced by an industry stumbling through a self-imposed crisis. The rise of streaming, an overreliance on recycled intellectual property, and dwindling opportunities or audience support for new talent have left the film and television world on precarious ground.
Subscriptions to Free Streaming: The Platforms and Formats Redefining Entertainment
Streaming platforms are evolving amid changing viewer preferences and competition. YouTube leads with creator-driven content, while Netflix shifts back to licensed shows to maintain its subscriber base. Growth of ad-supported services like Tubi offers budget-friendly options. The industry’s future relies on innovation, collaboration, and understanding audience needs.
Continue Reading Subscriptions to Free Streaming: The Platforms and Formats Redefining Entertainment