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Surging Growth in Third-Party Licensing as Studios Drop Exclusive Deals

December 7, 2023 FilmTake Comments Off

The shift away from originals at Netflix is welcome news for distributors that have grown wary of content exclusivity and are again licensing films and shows to their streaming competitors, especially Netflix, which pays top dollar.

The Reel Revolution: Film & TV Industry at a Crossroads Post SAG Strike

November 14, 2023 FilmTake Comments Off

After an arduous 118-day standoff, the SAG-AFTRA has finally brokered a provisional three-year contract with major studios, potentially concluding the extensive actors’ strike of 2023. The recent end to both the writer’s and actor’s strikes marks a pivotal moment in the industry.

Streaming Content Strategy: Global Ambitions Meet Economic Realities

October 25, 2023 FilmTake Comments Off

Top premium streaming platforms, Netflix, Amazon Prime Video, Disney+, Apple TV+, Paramount+, and Max, are on target to spend $42 billion for original and acquired film and TV by the end of the year. Crime, romance, and dramas lead the pack in acquired content spending.

Europe Battles US Streaming Giants with a Labyrinth of Regulatory Actions

October 10, 2023 FilmTake Comments Off

Market preeminence by US streamers in Europe has raised the ire of several European governments, the EU Commission, industry regulators, and industry organizations. Thus far, 17 EU countries have imposed financial obligations on streamers to force more significant investment in Europe.

Starz Lost Access to Pay-One Rights for Major Studio Films

September 5, 2023 FilmTake Comments Off

Starz’s access to third-party content was severely diminished when it lost Pay-One rights to films released by Sony Pictures after Netflix swopped in last year. Starz only has Pay-One rights to films released by its sibling company, Lionsgate, which HBO and FX previously held.

The Great Reset: Ever-Increasing Content Spending Leads to Financing Exodus

June 8, 2023 FilmTake Comments Off

After years of runaway content spending by leading streaming services, the industry is experiencing significant disruptions as it braces for more downsizing.

Netflix’s New Advertising Tier is Off to a Shaky Start

January 25, 2023 FilmTake Comments Off

Netflix’s ad-based tier aims to reduce the high churn the company faced in 2022, attract new subscribers, and lure back those who canceled. However, by all measures, the rushed experiment is failing. Netflix’s AVOD tier accounts for just 12% of its subscriber base.

Broken Windows: Inside Hollywood’s Lucrative Film Licensing Deals

January 15, 2023 FilmTake Comments Off

The battle over film licensing exclusivity transpired as expected once Netflix transitioned from a content aggregator to a content creator. One-by-one the major studios built direct-to-consumer streaming services to compete with Netflix.

Streaming Services Revert to Advertising to Drive Subscriber Growth

January 12, 2023 FilmTake Comments Off

Last year was the first year in the previous four years that didn’t welcome a new subscription streaming service from Hollywood’s major players. The lack of a new streaming service did not stop the existing services from offering new ways to watch content through paid and free ad-supported options.

Premium Streamers Scramble for Fresh Strategies to Retain Fickle Subscribers

December 19, 2022 FilmTake Comments Off

Streaming services are scrambling for new strategies to keep their existing subscribers in a highly crowded domestic market. The level of churn among premium streaming services like Netflix, HBO Max, and Disney+ has accelerated.

AT&T Loses Over $50 Billion on Half-Baked Content Distribution Ambitions

September 27, 2021 FilmTake Comments Off

After losing over $50 billion on a series of failed forays into content production and distribution, AT&T was forced to start selling stakes in its recently acquired media assets or risk weakening its monopolistic grip on telecom and internet delivery.