SVOD

Screens to Streams: The Evolution of Film Release Windows in Europe (Part One)

July 1, 2024 FilmTake Comments Off

Europe’s film sector has long relied on the principles of territoriality and rigid release windows to maximize the economic potential of films. However, the unprecedented lockdowns during 2020 and 2021 have significantly disrupted these traditional models, which were already in flux.

Distributors are Realigning Traditional Pay-1 Window Strategies for Maximum Impact

June 24, 2024 FilmTake Comments Off

Distributors are realigning the traditional Pay-1 window with new strategies to maximize their reach and impact. However, this strategic realignment on diverse content sources has challenges. The complexities can create significant gaps in streaming libraries.

Reviving Cable Television: How Telecom Companies Will Shape Streaming Bundles

June 19, 2024 FilmTake Comments Off

Recent announcements of new streaming bundles have highlighted the increasing role of broadband providers in the streaming landscape. Telecom companies are leveraging their vast distribution networks to integrate multiple SVODs in their offerings.

Inside Cannes 2024: Adapting to Struggles and Shifts in the Independent Film Market

May 26, 2024 FilmTake Comments Off

At this year’s Cannes, there’s a mix of optimism and weariness. High asking prices and low theatrical demand are notable. Streamers like Apple and Netflix lead significant acquisitions, sidelining traditional distributors. The market remains cautious, focusing on star-driven projects and strategic financial planning.

Cannes Conundrum: Navigating the New Realities of the Independent Film Market

May 21, 2024 FilmTake Comments Off

A significant concern voiced since the start of Cannes is the noticeable absence of US theatrical deals. This void has a cascading effect on international distribution. Films without a US distributor face deteriorating values over time, making it increasingly challenging to recoup production budgets.

Streaming Secrets Revealed: What Global Platforms Really Pay for Films and Shows

May 17, 2024 FilmTake Comments Off

Maximize your insights by analyzing global revenue streams for films and episodic content. Access market intelligence reports covering licensing rates across Europe, the UK, North and Latin America. Stay ahead of market trends, negotiate better deals, and thrive in the entertainment industry.

Unveiling Netflix’s New Content Strategy: Opening Doors to External Licensing

April 12, 2024 FilmTake Comments Off

Netflix has shifted its focus from prioritizing the production of original content to third-party content licensing once more. As an exclusive platform, Netflix’s management currently opposes licensing content externally, but the writing is on the wall for embracing external licensing.

Cracking the Code: Inside the Intricate World of Content Licensing Deals and Slate Programming

April 9, 2024 FilmTake Comments Off

As streaming platforms vie to capture marketshare in a view-from-home environment, the recent deal between A24 and Warner Bros. Discovery (WBD) brings A24’s eclectic catalog exclusively to HBO and Max after their theatrical runs illustrating the need for studios to look elsewhere for interesting films.

Distributors Retreat to Syndication to Avoid Financial Streaming Iceberg

March 6, 2024 FilmTake Comments Off

The prodigious investments required by major media companies to launch new streaming services while simultaneously pulling valuable content from dozens of global distributors have impacted all key players, resulting in substantial declines in market value over the past two years.

Not All Streaming Services Will Survive the Year in Their Current Form

February 25, 2024 FilmTake Comments Off

Mounting losses at Paramount and NBCUniversal, particularly, have put into doubt the survival of Paramount+ and Peacock in their current iteration. Paramount’s situation reflects the broader challenges of balancing growth, content spending, and subscriber retention with profitability.

The Future of Streaming Will End in Tiers

February 21, 2024 FilmTake Comments Off

Breaking News: Freevee Will Shutdown After Amazon Adamantly Denies Claims. Recently, on Prime Video, ads started popping up on scripted series and films. Over 167 million existing Amazon Prime members in the U.S. are now required to pay an additional $3 per month to enjoy the same service they signed up for to avoid ads.

Streaming Content Strategy: Global Ambitions Meet Economic Realities

October 25, 2023 FilmTake Comments Off

Top premium streaming platforms, Netflix, Amazon Prime Video, Disney+, Apple TV+, Paramount+, and Max, are on target to spend $42 billion for original and acquired film and TV by the end of the year. Crime, romance, and dramas lead the pack in acquired content spending.

Netflix Delivers Soaring Financials, But It Wants More from Subscribers

October 23, 2023 FilmTake Comments Off

After posting impressive financial results, Netflix still wants more from its subscribers in several key markets. The streaming giant will hike prices for certain subscription tiers in the US, UK, and France. While its new ad and Standard plans remain unchanged, its Basic and Premium plans will increase.

FAST and Beyond: Opportunities and Challenges in the Streaming Universe

October 17, 2023 FilmTake Comments Off

Once a cornerstone of the subscription streaming industry, the allure of ad-free viewing is fading into the background as streaming platforms seek innovative ways to captivate audiences and minimize subscriber churn while subscribers navigate a complex landscape.

Netflix’s New Advertising Tier is Off to a Shaky Start

January 25, 2023 FilmTake Comments Off

Netflix’s ad-based tier aims to reduce the high churn the company faced in 2022, attract new subscribers, and lure back those who canceled. However, by all measures, the rushed experiment is failing. Netflix’s AVOD tier accounts for just 12% of its subscriber base.

Streaming Services Revert to Advertising to Drive Subscriber Growth

January 12, 2023 FilmTake Comments Off

Last year was the first year in the previous four years that didn’t welcome a new subscription streaming service from Hollywood’s major players. The lack of a new streaming service did not stop the existing services from offering new ways to watch content through paid and free ad-supported options.